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Tim Comella, of Morristown, NJ (USA) supplied this photo of a pair of 50 watt half stacks from his collection. You've already seen "Barney". Now you've seen "Bambi", too! Tim writes: "Here is a matched pair of 'fawn', 50 watt short stacks. The two input model is a Master Volume Mark II model running 6550 Groove Tubes; the four input unit is a non-Master volume Super Lead 50 watt that came through with Tesla EL-34's. In any event, this is Bambi (fawn... get it?) and her nasty older brother (the Super Lead, which kicks, sound-wise)." According to Michael Doyle's The History of Marshall, "JTM" was printed onto the left side of the control panel of Marshall amps around mid 1967. In 1968, the amps began sporting "JMP" (Jim Marshall Products) instead of JTM. JTM, by the way, stands for "Jim and Terry Marshall." (Terry is Jim's son.) The prototype amp was considered the MK I, hence the amps produced since carried a MK II designation. Some early amps did not have any MK designation at all. The cabinets were updated in early 1976 to the larger Marshall logo (such as those featured in the above photo). New vinyl, plastic corner protectors added, and the on/off toggle switches were replaced with illuminated rocker switches. The first Master Volume model was released in 1975, and was produced through 1981. Note that this is an "overdrive the preamp" style of master volume system. To really get the most from a Marshall, most musicians agree that you'd want to get some of the power amp distortion into the picture, too. That's where a Powerbrake or SE-100 system is needed to get that "tone to the bone" signature sound. In 1981, with the advent of the JCM800 series, which also carry the MK II designation, the "JTM/JMP" MK II era came to an end.
Trademarks and copyrights used herein are the property of their respective holders. Marshall Arts is not affiliated with Jim Marshall Products, plc.
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